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Watch OSCARS 2019 Live Stream Academy Awards Full Show
Feb 19, 2019, 6:45 AM
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Watch OSCARS 2019 Live Stream Academy Awards Full Show here:
https://www.youtube.com/channel/UC0iN5lYnOsjZhhomiZxGUAg
Saturday Night Live helped work up fervor for the forthcoming Academy Awards on Feb. 24 with a Celebrity Family Feud: Oscar Nominees sketch highlighting Melissa Villasenor repeating her emotional job as Lady Gaga.
With Kenan Thompson playing host Steve Harvey, the Oscars-themed Family Feud sketch included film "beginners" Gaga, Rami Malek (Pete Davidson) and Mahershala Ali (Chris Redd) going up against "veterans" Spike Lee (Don Cheadle), Glenn Close (Kate McKinnon), Sam Elliott (Beck Bennett) and Olivia Colman (Cecily Strong).
"It's such a respect to be on the Feud," Gaga told Harvey, a reference to something the artist/on-screen character has said on numerous occasions amid meetings for A Star Is Born. "On the off chance that 99 individuals are reviewed, you simply need one individual to have confidence in you to win."
Bradley Cooper, played by SNL's Kyle Mooney, additionally made an appearance amid the sketch, reviewing how he picked Gaga for the A Star Is Born job. "I saw this lady at the Super Bowl Halftime show and I had this wild thought, I thought, possibly she could play a vocalist," he said.
Bette Midler will elegance the phase at the current year's 91st Oscars function to play out "The Place Where Lost Things Go" from Mary Poppins Returns. The amazing artist and performer made the declaration on Twitter Saturday (Feb. 16).
"Along these lines, (drum move) Ladies and Gentlemen, I will be chanteusing (that is singing) on the Oscars on Feb 24...the named tune from "Mary Poppins"..."The Place Where Lost Things Go" ...so energized!!" Midler composed.
In late January, the Academy declared that "The Place Where Lost Things Go," composed by Marc Shaiman and Scott Wittman, "will be performed by an unexpected exceptional visitor." The tune was initially performed by Emily Blunt in the film.
Different melodies to be performed amid the function incorporate "Shallow" from A Star is Born and "Every one of the Stars" from Black Panther.
The 2019 Oscars will happen Feb. 24 at the Dolby Theater in Los Angeles, and will be communicated live on ABC at 8 p.m. ET/PT.
Along these lines, (drum move) Ladies and Gentlemen, I will be chanteusing (that is singing) on the Oscars on Feb 24...the named melody from "Mary Poppins"..."The Place Where Lost Things Go" ...so energized!!
Drag is standard. Hollywood has started to consider the work of art important, with Drag Race alum springing up wherever from vivified animation arrangement on Netflix (Ginger Minj and Trixie Mattel in Super Drags) to Oscar-assigned movies (Shangela and Willam in A Star Is Born).
The design world, as well, has grasped drag, with stars like Milk, Aquaria and Sasha Velour sitting first line, strolling runways and notwithstanding curating appears at different New York Fashion Week occasions. So what's taking the music business such a long time to grasp these performers?
It's turned into a soul changing experience for the contenders of RuPaul's Drag Race to discharge melodies and music recordings matching with their time on the show. Each of the four of the All Stars 4 finalists have discharged something like one melody and music video in the past couple months. What's more, these clasps have a crowd of people: since its mid-December discharge, Naomi Smalls' music video for "Posture" has piled on more than 1.1 million perspectives. All things considered, while a few Drag Race rulers have indented No. 1s on different Billboard diagrams, none have made an engraving on the Hot 100 and the Billboard 200. It's past time that the music business welcome drag specialists to the table - and Monét X Change, one of Drag Race's recently delegated champs, is prepared to guarantee her seat.
"It is 2019. During the '90s, when RuPaul turned out with Supermodel of the World, I don't think the world was 'prepared' for it, yet his music was simply so great thus notorious, they had no other alternative however to regard it," X Change tells Billboard. "In the event that you viewed Sylvester's 'Powerful Real' video, you see him like, 'Gracious my God, that was out during the '80s?' He was in all out drag completing a video. Once more, I won't state the world was prepared for it, yet it was wild and you needed to regard it."
Monét trusts her new visual EP, Unapologetically, will get a similar kind of worship. The undertaking was official delivered by ASCAP champ and Grammy-named author Eritza Laues (Michael Jackson, Whitney Houston, Nicky Jam). She acquired a group that incorporates previous Atlantic Records A&R executive Walter Randall (Justin Bieber, Solange), who administrated the EP, just as essayist/makers Soundwavve (Lil Kim, J. Cole) and Christopher "Gun" Mapp (Jahiem, Cassie). X Change, who is overseen by Producer Entertainment Group, co-composed the four tracks.
"I believe that they have to quit taking a gander at us as simply drag entertainers," X Change says. "Simply take a gander at us as specialists. Do you like this music? In the event that the appropriate response is truly, at that point bolster us!" The ruler records a mélange of impacts for her new EP, however there are four she continues coming back to: SZA, H.E.R., Sylvester and the Queen B herself. Indeed, the third tune on the collection is titled "Beyoncé," which she depicts as a "club banger."
"Each gay man feels like they are Beyoncé. That is the thing that that tune inclines toward," she says, snickering. "When you are in the mirror preparing to meet with your sweethearts at Mickey's on a Friday night, you're similar to, '#####, I'm mothafuckin' Beyoncé."
The EP's other playful track, "There For You," has a return tint to it: "I'm directing Sylvester up in that club during the '80s, young lady, and that disco wig and the all white. Indeed, the house down boots, Sylvester realness."
Proudly isn't entirely for the clubs, however. The introduction track highlights X Change's baritone, traditionally prepared musical drama hacks singing "Ave Maria" underneath an expressed word that addresses her inward battle with religion.
"I would go to chapel and I would go to choir practice in full drag and the congregation was so adoring and tolerating of my drag profession," she clarifies. "In any case, religion has dependably been something that I scrutinized a great deal in my life. I resembled, how does this fit into being a gay man? I think presently, I've gone to a spot where I've acknowledged that and love that piece of myself."
The collection's nearer, "Tenderly," which she depicts as "a delicate, sentimental, hot melody" is a gesture to X Change's charm with R&B. Growing up, she'd remain up late with her auntie for Midnight Love on BET, watching music recordings from craftsmen like Tamia, Jaheem and Toni Braxton play on circle. Yet, in spite of her affection for the class, X Change at first felt shaky trying different things with it on account of her normally profound voice.
"I am a genuine baritone, so I never thought there was a vocation in frickin' R&B for me. Nobody needs to hear that," she clarifies. "I think the more seasoned I've gotten, the more I'm seeing that it's not about your range. It's about the truthfulness of your tone and addressing their heart with your lyrics."Time will tell if Unapologetically wins Monét much-merited believability as a performer, yet she is prepared for some appreciation.
"You have entertainers like Pabllo Vittar in Brazil - he is perceived as a craftsman and a wonderful performer. That is the manner by which I need individuals to take a gander at me here in America," she says. "I think I have the slashes and the ability to do as such. Get me to the Grammys, young lady."
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